Jean Baudrillard on Apocalypse Now.

Baudrillard’s writing on Apocalypse Now was the spark for the idea to focus on the destructive act in cinema as a way to explore image/event // dust/object.

“One revisits everything through cinema and one begins again: the Molochian joy of filming, the sacrificial joys of so many millions spent, of such a holocaust of means, of so many misadventures, and the remarkable paranoia that from the beginning conceived of this film as a historical, global event, in which, in the mind of the creator, the war in Vietnam would have been nothing other than what it is, would not fundamentally have existed- and it is necessary for us to believe in this war: the war in Vietnam in itself never happened, as it is a dream, a baroque dream of napalm and of the tropics, a psychotropic dream that had the goal of neither victory nor of policy at stake, but, rather, the sacrificial excessive deployment of a power already filming itself as it unfolded, perhaps waiting for nothing but consecration by a super film, which completes the mass- spectacle effect of this war”.

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“one has understood nothing, neither about the war nor about cinema if one has not grasped this lack of distinction that is no longer either an ideological or moral one, one of good and evil, but of the reversibility of destruction and production, of the immanence of a thing in its very revolution, of the organic metabolism of all the technologies, of the carpet of bombs in the strip of film”……….

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